Lighthouse Theatre Warrnambool
Orchestra Victoria's tour to the Western District is only made possible thanks to the visionary support of Geoff and Helen Handbury and the Handbury Foundation.
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Imogen Holst – Suite for String Orchestra
I. Prelude
II. Fugue
III. Intermezzo
IV. Jig
John Psathas – Djinn: Marimba Concerto
Soloist: Mathew Levy Section Principal Percussion
I. Pandora
II. Labyrinth
III. Out-Dreaming the Genie
- Interval -
Gustav Holst arr. George Morton – The Planets
Choir: The Consort of Melbourne
Orchestra Victoria acknowledges the Traditional Owners of the land on which we work, the Wurundjeri Woi Wurrung and Boon Wurrung people of the Eastern Kulin Nations. We pay our respects to their Elders past and present, and to all First Nations people across Australia, whose traditions of music making and storytelling have continued on this land for millenia.
A very warm welcome to Orchestra Victoria. It’s a pleasure to share this program with you—one that draws us into story, sound and the vast imaginative worlds music can create.
We are thrilled that Orchestra Victoria is able to bring this program to Warrnambool. Performances like this are an important part of our commitment to sharing exceptional live orchestral music across the state and connecting with audiences beyond the metropolitan stage, and we are proud to continue our relationship with the welcoming community of Warrnambool.
This concert brings together music shaped by myth, magic and the cosmos, but it also reflects something more personal: the relationships and artists that make this orchestra what it is. I’m especially delighted to welcome conductor Alice Farnham in her debut with OV. Alice is a wonderful colleague whose clarity, insight and generosity in music-making make her an ideal guide for a program that moves between such contrasting worlds.
At the centre of the program is another kind of celebration—our own musicians. It’s a real joy to spotlight Mathew Levy, our Principal Percussion, as soloist in John Psathas’s Djinn. There’s something special about hearing a musician you usually see within the orchestra step forward in this way, and Mat brings both virtuosity and imagination to this vivid, rhythmic music.
The program also traces a quieter thread of connection between Imogen Holst and her father Gustav Holst. Imogen’s music is still too rarely heard, and placing it alongside movements from The Planets offers a chance to hear her voice on its own terms—clear, direct, and deeply felt—while also reflecting the musical world they shared.
And, of course, there’s The Planets itself. Even in these more intimate arrangements, the sense of scale and character remains—whether in the stillness of Venus or the irrepressible energy of Jupiter.
In this performance, the program is able to unfold in a single arc, revealing its full range of colour, energy and contrast. I hope you find, within it, both a sense of wonder and a moment to listen a little more closely.
Thank you for joining us, and for supporting Orchestra Victoria as we share music with audiences across regional Victoria.
Jessica Gethin
Artistic Advisor
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VIOLIN
Concertmaster
Sulki Yu
Chair supported by Lady Southey AC
Deputy Concertmaster
Yi Wang
Chair supported by Susan & Leith Campbell
Associate Principal First Violins
Tomomi Brennan
Erica Kennedy
Associate Principal Second Violin
Sofija Kirsanova
Tutti
Alyssa Conrau
Chair supported by Leanne Menegazzo
Rachel Gamer
Matt Hassall
Chair supported by Mr Russell and Dr Jenni Jenkins
Rebecca Shirley
Chair supported by Mr Andrew Fairley AM
Lucy Warren
VIOLA
Section Principal
Paul McMillan
Chair supported by Linda Herd
Associate Principal
Thomas Higham
Tutti
Jason Bunn
Chair supported by Natalie Delbridge
Nadine Delbridge
Chair supported in memory of the Late Malcolm Delbridge
CELLO
Section Principal
Melissa Chominsky
Associate Principal
James Churchill +
Tutti
Anna Pokorny
DOUBLE BASS
Acting Section Principal
Kylie Davies
Tutti
Sam Nock +
FLUTE
Section Principal
Lisa-Maree Amos
Chair supported by Peter Griffin AM & Terry Swann
OBOE
Acting Section Principal
Joshua de Graaf
CLARINET
Associate Principal
Justin Beere
BASSOON
Section Principal
Lyndon Watts
HORN
Acting Section Principal
Benjamin Messenger
Tutti
Sharon Hatton +
TRUMPET
Section Principal
Mark Fitzpatrick
TROMBONE
Acting Section Principal
Kieran Conrau
PERCUSSION
Acting Section Principal
Buddy Lovett
Associate Principal
Hugh Tidy +
Tutti
Alexander Meagher +
HARP
Section Principal
Will Nichols
PIANO
Section Principal
Aidan Boase +
CHOIR
The Consort of Melbourne
Eliza Bennetts O'Connor +
Kristy Biber +
Stella Horvath +
Kate McBride +
Katherine Norman +
Hannah Pietsch +
KEY
Guest Artist +
Deputy Concertmaster
Section Principal First Violin
Section Principal Second Violin
Associate Principal First Violin
Associate Principal First Violin
Associate Principal Second Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Section Principal Viola
Associate Principal Viola
Tutti Viola
Tutti Viola
Section Principal Cello
Tutti Cello
Tutti Cello
Tutti Cello
Section Principal Double Bass
Associate Principal Double Bass
Section Principal Flute
Associate Principal Flute
Principal Piccolo
Section Principal Oboe
Principal Cor Anglais
Section Principal Clarinet
Associate Principal Clarinet
Section Principal Horn
Principal Third Horn
Tutti Horn
Section Principal Trumpet
Associate Principal Trumpet
Associate Principal Trombone
Principal Bass Trombone
Section Principal Timpani
Section Principal Percussion
Associate Principal Timpani/Tutti Percussion
Section Principal Harp
Section Principal Bassoon
Explore our full list of musicians, management and supporters at the links below:
Thank you to our Southbank Circle members Lady Southey AC, John & Gaye Gaylard, Peter Griffin AM & Terry Swann, and Dr Karen Wayne OAM & Dr Victor Wayne, whose generosity and leadership has enabled Southbank Series to take place.
Orchestra Victoria's tour to the Western District is only made possible thanks to the visionary support of Geoff and Helen Handbury and the Handbury Foundation.
These programs were developed in a studio managed by the City of Melbourne’s Meat Market tenancy program.