

Photo Charlie Kinross
The Blackwood Box
Meat Market, North Melbourne
Please take a moment to silence and dim the screen on your device(s) so that everyone can enjoy the show.
Maurice Ravel Le Tombeau de Couperin
Georg Philipp Telemann Trumpet Concerto in D Major, TWV 51:D7
Soloist: Mark Fitzpatrick Section Principal Trumpet
Maurice Ravel Le Tombeau de Couperin
Louise Farrenc Symphony No. 3 in G minor
Orchestra Victoria acknowledges the Traditional Owners of the land on which we work, the Wurundjeri Woi Wurrung and Boon Wurrung people of the Eastern Kulin Nations. We pay our respects to their Elders past and present, and to all First Nations people across Australia, whose traditions of music making and storytelling have continued on this land for millenia.
Welcome to our new audience members, and welcome back to those who joined us in March. We're so thrilled to host you in our home at the Blackwood Box and hope that you have a wonderful evening, sipping specially curated cocktails from Brogan's Way Gin alongside an intimate and welcoming music performance. Tonight, would not be possible without our generous philanthropic community, and our government partners, Creative Australia and Creative Victoria. I must also give a special additional thanks to Creative Victoria for their investment in the Blackwood Box, creating a home for Orchestra Victoria for the next 5 years.
We are sure you will enjoy tonight's performance featuring conductor Jonathan Lo and our Section Principal Trumpet Mark Fitzpatrick.
Enjoy!
Jacinta Ewers
Chief Executive Officer
Dear friends,
Welcome to Session 2 of Meet @ the Market 2025.
Tonight’s program, conducted by the exceptional Jonathan Lo, invites us into a vibrant dialogue between centuries, styles, and textures. We begin with Ravel’s Le Tombeau de Couperin, a tribute not only to baroque elegance but to personal memory—music that dances with grace even in the shadow of loss.
Telemann’s bright and joyful Trumpet Concerto in D major follows, featuring our brilliant Section Principal Trumpet, Mark Fitzpatrick, as soloist. This baroque gem showcases the trumpet’s regal flair and virtuosity, offering a sparkling counterpoint to the evening’s more expansive works.
We close with Louise Farrenc’s magnificent Symphony No. 3—a Romantic-era masterpiece that has too long remained in the shadows. Powerful, expressive, and meticulously crafted, it is a work that richly deserves the spotlight it receives tonight.
Thank you for joining us for this special performance. Whether you are a longtime supporter or discovering us for the first time, we are honoured to share this music with you—and look forward to welcoming you again soon.
Jessica Gethin
Artistic Advisor / Conductor
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VIOLIN
Concertmaster
Sulki Yu
Chair supported by Lady Southey AC
Deputy Concertmaster
Yi Wang
Chair supported by Susan & Leith Campbell
Section Principal Second Violin
Wilma Smith +
Acting Associate Principal First Violin
Lucy Warren
Acting Associate Principal Second Violin
Matt Hassall
Chair supported by Mr Russell and Dr Jenni Jenkins
Tutti
Binny Baik
Chair supported by The Fielding Foundation
Alyssa Conrau
Chair supported by Leanne Menegazzo
Rachel Gamer
Rachael Hunt
Philip Nixon
John Noble
Rebecca Shirley
Chair supported by Mr Andrew Fairley AM
Lisa Reynolds +
Jaso Sasaki +
VIOLA
Acting Section Principal
Thomas Higham
Associate Principal
Matthew Laing +
Tutti
Jason Bunn
Nadine Delbridge
Chair supported by Kangaroo Ground Nominees Pty Ltd
CELLO
Section Principal
Richard Narroway +
Associate Principal
Diane Froomes
Tutti
Philippa Gardner
Chair supported by Angela Kayser
Zoe Wallace +
DOUBLE BASS
Acting Section Principal
Kylie Davies
Tutti
Hamish Gullick +
FLUTE
Section Principal
Lisa-Maree Amos
Chair supported by Peter Griffin AM & Terry Swann
Associate Principal
Rebecca Johnson +
OBOE
Acting Section Principal
Josh de Graaf §
Principal Cor Anglais
Dafydd Camp
Chair supported by Ms Linda Herd
CLARINET
Section Principal
Paul Champion
Associate Principal
Justin Beere
BASSOON
Section Principal
Colin Batt Abrams +
Associate Principal
Will Hanna +
HORN
Section Principal
Andrew Young
Tutti
Benjamin Messenger
TRUMPET
Section Principal
Mark Fitzpatrick
Associate Principal
Timothy Francis
TIMPANI
Section Principal
Guy du Blêt
Chair supported by Mr Jim Cousins AO and Mrs Libby Cousins AM and Mr Igor Zambelli
HARP
Section Principal
Will Nichols
Harpsichord
Section Principal
Peter de Jager +
KEY
Guest Artist +
Deputy Concertmaster
Principal First Violin
Principal Second Violin
Associate Principal First Violin
Associate Principal First Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Tutti Violin
Section Principal Viola
Associate Principal Viola
Tutti Viola
Tutti Viola
Section Principal Cello
Associate Principal Cello
Tutti Cello
Tutti Cello
Associate Principal Double Bass
Tutti Double Bass
Section Principal Flute
Associate Principal Flute
Associate Principal Oboe
Principal Cor Anglais
Section Principal Clarinet
Associate Principal Clarinet
Section Principal Horn
Principal Third Horn
Section Principal Trumpet
Associate Principal Trumpet
Section Principal Trombone
Associate Principal Trombone
Principal Bass Trombone
Section Principal Timpani
Section Principal Percussion
Photo Pierre Toussaint
In the upcoming season, we celebrate this unique capacity through a range of partnerships, but most proudly with our Southbank Series and new initiative, Meet @ the Market, programs that place our musicians front and centre. Here, our tradition charts a new course with a diverse concert repertoire, exploring stories both timeless and contemporary, and featuring works beyond our core opera and ballet repertoire.
Season 2025 celebrates all that we bring to the Victorian landscape, underscoring our role in enriching cultural experiences for audiences across our state.
– We bring the music
Explore our full list of musicians, management and supporters at the links below:
Thank you to our Southbank Circle supporters Lady Southey AC and Dr Karen Wayne OAM & Dr Victor Wayne, whose support has enabled this concert to take place.